Devout prayer and Poulenc's characteristic clear melancholy
An inspiring record that inherits the tradition of hymns while reconstructing sacred music with a modern sensibility.
Georges Prêtre's baton draws out the most delicate tone from the Paris Conservatoire Orchestra, while Régine Crespin's limpid singing lends a profound sublimity to the theme of Our Lady of Sorrows.
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A:
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1)
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Stabat Mater Dolorosa = 悲しみに沈める聖母はたたずみたまえり
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2)
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Cujus Animam Gementem
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3)
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O Quam Tristis Et Afflicta
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4)
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Quae Moerebat = 嘆き悲しみたまえり
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5)
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Quis Est Homo = 誰か涙そそがざる者あらん
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6)
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Vidit Suum = 見たまえり
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7)
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Eja Mater = 愛も泉なる御母よ
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8)
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Fac Ut Ardeat = わが心を燃えしめ
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9)
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Sancta Mater = 聖なる御母よ
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B:
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1)
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Fac Ut Portem = 負わしめ
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2)
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Inflammatus Et Accensus = 焼かれ焚かるる我が身なれど
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3)
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Quando Corpus = 肉は朽つとも
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4)
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Timor Et Tremor = 恐れとおののき我を襲い
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5)
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Vinea Mea Electa = わが選びし葡萄の畑よ
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6)
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Tenebral Factus Sunt = 地の上あまねく暗くなりぬ
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7)
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Tristis Est Anima Mea = わが心いたく憂いて死ぬるばかりなり
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Composed By - Francis Poulenc
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Orchestra - Orchestre De La Société Des Concerts Du Conservatoire
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Soprano Vocals - Régine Crespin (A1 to B1)
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Conductor - Georges Prêtre
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Choir - Chœurs René Duclos
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Sleeve Notes - 津村正
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Liner Notes [Translation] - 高崎昭
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Sleeve Notes - 高崎昭
