A definitive record of the legendary club recording that captures the genius Tatum's virtuoso technique and passion.
This album, a compilation of private recordings made in Harlem clubs, is a historic recording that later won a Grammy Award. It is renowned as a valuable archive of Tatum's free-flowing improvisation and stunning virtuosity, featuring collaborations with Frankie Newton and other artists, as well as his own vocals.
The piano sounds so clear it's hard to believe they were captured on a simple recording device brought into a club, and this album allows you to fully appreciate Art Tatum's incredible fingering and improvisation. His solo performances on "Georgia on My Mind" and "Sweet Lorraine" are captivating, with smooth arpeggios and a free-flowing tempo. The 1941 session vividly captures his ensemble with Frankie Newton and others, showcasing the close interplay on "Lady Be Good" and "Sweet Georgia Brown." The inclusion of Tatum's own vocals on "Knockin' Myself Out" and "Toledo Blues" further highlights his versatility as a performer. The value of this recording, which later won a Grammy Award, is attested to by the sheer power of his improvisation and the energy inherent in the club.
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A:
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1)
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All God's Chillun Got Rhythm
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2)
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Sweet Emaline, My Gal
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3)
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Back Home In Indiana
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4)
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Day In, Day Out
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5)
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Fine And Dandy
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6)
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I've Got The World On A String
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7)
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I've Got A Right To Sing The Blues
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8)
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I'm Coming, Virginia
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B:
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1)
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You Took Advantage Of Me (1st Version)
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2)
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You Took Advantage Of Me (2nd Version)
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3)
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I Guess I'll Have To Change My Plans
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4)
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What Is Thing Called Love
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5)
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Crazy Rhythm
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6)
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Can't We Be Friends
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7)
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Limehouse Blues
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