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| Yukiko Ninomiya | |||||||||||||||||||||||||||
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Matsu No Ki Kouta/ Ultra C De Yarimashou |
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| KING BS-151 | |||||||||||||||||||||||||||
| Japan | |||||||||||||||||||||||||||
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GB£3.72 |
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A charming singing voice that carries on the tradition of enka
Ninomiya Yukiko's emotional singing fully conveys the charm of Showa era pop music.
On side A, "Matsunoki Kouta," she meticulously expresses a Japanese sensibility, while on side B, she performs a light-hearted number that reflected the trends of the time. This album highlights her talent, combining the technical skill of an enka singer with the flexibility to capture the spirit of the times. It is a valuable record that tells the story of Japan's popular music scene in the mid-1960s.
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Komadori Shimai
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Yanagi No Ame / Ka Ni Mayufu
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Sa No Sa Bushi / En Kaina
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Masaaki Hirao
Hoshi Wa Nan Demo Shitte Iru/ Miyochan/ Omoide/ Hoshi No Furu Yona Bandatta
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Soran Wataridori
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Omokage / Omoide ha tada Hitotsu
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Michiya Mihashi
Mihashimichiyaminyoshu
(10")
Ichimaru, Masao Suzuki, Kikumau
Tokyo Ondo / Oedo Nihonbashi
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Komadori Shimai
Komadori Shimai Miryoku No Subete
(LP)
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Kishi no yanagi / Gorou tokimune
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