A visual jazz sound where silence and sensuality intersect.
This film score, co-written by Miles Davis and Marcus Miller, combines delicate trumpet and sophisticated synth sounds to create a fantastical soundscape.
"Music From Siesta" captures the tranquil charm of Miles Davis's later years. Marcus Miller's meticulous arrangements and programming create a visually charged, sensual soundscape. The trumpet resonates like a deep breath, and powerful emotion drifts through the silence. This experimental attempt transcends the boundaries of jazz, portraying cinematic emotion through sound, and is the culmination of an artistic collaboration born from the mutual understanding between Davis and Miller.
|
A:
|
|
1)
|
|
Lost In Madrid Part I
|
|
2)
|
|
Siesta / Kitt's Kiss / Lost In Madrid Part II
|
|
3)
|
|
Theme For Augustine / Wind / Seduction / Kiss
|
|
4)
|
|
Submission
|
|
5)
|
|
Lost In Madrid Part III
|
|
|
B:
|
|
1)
|
|
Conchita / Lament
|
|
2)
|
|
Lost In Madrid Part IV / Rat Dance / The Call
|
|
3)
|
|
Claire / Lost In Madrid Part V
|
|
4)
|
|
Afterglow
|
|
5)
|
|
Los Feliz
|
|
|
-
Trumpet - Miles Davis
-
Composed By, Performer [All Other Instruments], Producer - Marcus Miller
-
Executive-Producer - Tommy LiPuma
-
Engineer [Assisted By] - Don Peterkofsky (A3)
-
Engineer - Ray Bardani (B1)
-
Mixed By - Ray Bardani
-
Programmed By [Synthesizer Programming] - Jason Miles
-
Executive-Producer - Gary Kurfirst
-
Engineer [Assisted By] - Mark Roule (A3)
-
Mastered By - Jack Skinner
-
Engineer - Steven Strassman
-
Engineer [Assisted By] - Iris Cohen (B1)
-
Mixed By [Assisted By] - Iris Cohen
-
Engineer [Assisted By] - Chris Steinmetz
-
Coordinator [Production] - Bibi Green
-
Design [Cover] - Deborah Norcross
-
Coordinator [Production] - Andy Darrow
-
Painting [Front Cover] - George Tooker
-
Engineer - John "J.C." Convertino
