Bluesy hard bop with a strong vibe
This is a leader album by vibraphonist Milt Jackson, known for his work with the Modern Jazz Quartet (MJQ). Unlike the MJQ, this was recorded with a large ensemble that included a horn section.
Milt Jackson's vibraphone plays a melody rich with a blues feel. Solo exchanges with wind players Cannonball Adderley (alto) and Frank Foster (tenor) add heat to the album. Quincy Jones' arrangements combine the richness of a big band with the sharpness of hard bop. On the title track, "Plenty, Plenty Soul," each soloist delivers a dynamic performance over a funky riff.
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A:
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1)
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Plenty, Plenty Soul
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2)
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Boogity Boogity
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3)
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Heartstrings
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B:
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1)
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Sermonette
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2)
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The Spirit-Feel
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3)
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Ignunt Oil
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4)
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Blues At Twilight
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Written-By - Quincy Jones (A1, A2, B4)
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Piano - Horace Silver
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Drums - Art Blakey (A1 to A3)
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Written-By - Julian Adderley
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Baritone Saxophone - Sahib Shihab (A1 to A3)
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Vibraphone [Vibraharp] - Milt Jackson
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Written-By - Milt Jackson (A1 to A3, B2, B3)
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Drums - Connie Kay (B1 to B4)
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Trombone - Jimmy Cleveland (A1 to A3)
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Double Bass - Percy Heath (A1 to A3)
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Double Bass - Oscar Pettiford (B1 to B4)
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Tenor Saxophone - Frank Foster (A1 to A3)
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Tenor Saxophone - Lucky Thompson (B1 to B4)
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Mastered By - Bernie Grundman
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Lacquer Cut By - BG
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Trumpet - Joe Newman
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Lacquer Cut By - CB
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Alto Saxophone - Ronnie Peters (A1 to A3)
