An edgy masterpiece that depicts the sense of speed and emotional clash of the city.
This is the best album by the Barbee Boys, who gained popularity with their male-female twin vocals and sharp sound. An aggressive work that combines rock and new wave.
The interplay between edgy guitar and tense vocals symbolizes the speed of 1980s Tokyo. The lyrics, which depict emotional conflict and loneliness, are striking. Kyoko and KONTA's twin vocals are lustrous, highlighting the band's individuality. Tomotaka Imamichi's guitar cuts sharply, expressing both urban coldness and heat at the same time. This is a highly polished album where meticulous arrangements and raw performances intersect.
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A:
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1)
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C'm'on Let's Go!
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2)
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Blue Blue Rose
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3)
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でも!? しょうがない
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B:
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1)
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暗闇でDance
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2)
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瞳の奥でまばたくな
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3)
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チャンス到来
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C:
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1)
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小僧 ─ Cryin' On The Beach
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2)
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もォ やだ！
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3)
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Midnight Call
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D:
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1)
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帰さない
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2)
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負けるもんか
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3)
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ダメージ
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Remix - Larry Alexander
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Mastered By - Ted Jensen
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Mastered By [Originally] - Mitsukazu Tanaka
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Engineer [Assisted By] - Gary Solomon
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Engineer [Assisted By] - Tetsuhiro Miyajima
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Vocals - Kyoko (2)
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Mastered By [Disc] - Mitsuharu Kobayashi
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Executive-Producer - Hidenori Taga
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Remix - Nobuhisa Kawabe (5, 9)
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Coordinator - Takashi Hayakawa
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Coordinator [N.Y.C. Coordination] - Shizuko Orishige
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Management [General] - Norio Sakaki
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Vocals, Saxophone - Atsushi Kondoh
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Directed By - Kazue Sonoda
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Photography By - Naoto Ohkawa
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Producer - Barbee Boys
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Executive-Producer - Shigeo Maruyama
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Design - Michiyo Saitoh
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Producer [Associate] - Akiyoshi Nishioka
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Guitar, Vocals - Tomotaka Imamichi
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Written-By - Tomotaka Imamichi (1 to 4, 6 to 12)
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Text By - いまみち ともたか
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Drums, Vocals - Toshiaki Konuma
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Art Direction, Design - Kenji Uyeda
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Management - Takao Aonuma
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Directed By - Hiroshi hayakawa
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Bass - Enrique (13)
