The most important "black funk manifesto" album that changed the very nature of music.
An important work from the heyday of the genius Herbie Hancock's electric music, which continues to have a wide-ranging and profound influence on music of the future, from jazz to funk and hip hop.
This album, which starts with the memorable intro "Chameleon", was his first to reach number one on the Billboard Jazz Chart. The backing musicians who participated in this album later formed "The Headhunters", and Herbie participated in it as a guest.
|
4 TRACKS:
|
|
1)
|
|
Chameleon
|
|
2)
|
|
Watermelon Man
|
|
3)
|
|
Sly
|
|
4)
|
|
Vein Melter
|
|
|
-
Congas, Shekere, Balafon, Agogô, Cabasa, Whistle [Hindewho], Tambourine, Slit Drum [Log Drum], Surdo, Bells [Gankoqui], Percussion [Beer Bottle] - Bill Summers
-
Electric Piano [Fender Rhodes], Clavinet [Hohner D6], Synthesizer [Arp Odyssey, Arp Soloist], Pipe [Pipes] - Herbie Hancock
-
Liner Notes [Reissue] - Herbie Hancock
-
Producer [Original Recording] - Herbie Hancock
-
Soprano Saxophone, Tenor Saxophone, Saxello, Bass Clarinet, Alto Flute - Bennie Maupin
-
Producer [Original Recording] - David Rubinson
-
Drums [Yamaha] - Harvey Mason
-
Mastered By [Digitally Mastered By] - Mark Wilder
-
Reissue Producer - Bob Belden
-
Coordinator [Columbia Jazz Reissue Series] - Steve Berkowitz
-
Electric Bass, Marimbula - Paul Jackson (2)
-
Producer [Production Assistance] - Rene Arsenault
-
A&R [A&R Coordination] - Patti Matheny
-
Management [Project Director] - Seth Rothstein
-
Design [Reissue Design] - Randall Martin
-
Coordinator [Columbia Jazz Reissue Series] - Kevin Gore
-
Research [Tape Vault Research] - John Naatjes
-
Design [Cover Design] - Victor Moscoso
-
Art Direction [Reissue Art Direction] - Cozbi Sanchez-Cabrera
-
Management [Packaging Manager] - Jennifer Ebert
-
Photography By - Waldo Bascom
-
Liner Notes [1992 CD Issue] - Scott H. Thompson