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A:
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1)
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First Contrapunctus, On The Leading Theme - 4-Part
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2)
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Second Contrapunctus, On The Leading Theme (Slightly Modified) - 4-Part
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3)
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Third Contrapunctus, On The Tonal Inversion Of The Theme - 4-Part
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4)
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Fourth Contrapunctus, On The Real Inversion Of The Theme - 4-Part
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5)
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Fifth Contrapunctus, On The Variant Of A Theme And Its Inversion- 4-Part
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6)
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Sixth Contrapunctus, On The Same Variant, With Both Also Diminished - 4-Part
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B:
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1)
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Seventh Contrapunctus, As In Sixth With Augmentation As Well - 4-Part
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2)
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Eighth Contrapunctus, On Two New Subjects And Variant Of Theme - 3-Part
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3)
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Ninth Contrapunctus, On Further New Subject And Variant Of A Theme, In Counterpoint At The Twelth - 4-Part
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4)
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Tenth Contrapunctus, On A Further New Subject And Variant Of A Theme, In Counterpoint At The Tenth - 4-Part
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5)
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Eleventh Contrapunctus, On The Inversion And Normal Forms Of The Three Subjects Of The Eighth - 4-Part
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C:
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1)
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No 15, Fuga Per Canonem At The Octave On A Variant Of The Theme - 2-Part
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2)
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No 17, Fuga Per Canonem At The Tenth On A Variant Of The Theme - 2-Part
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3)
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No 16, Fuga Per Canonem At The Twelfth On A Variant Of The Theme - 2-Part
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4)
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No 14a, Fuga Per Canonem By Contrary Motion With Augmentation, On A Variant Of The Theme - 2-Part
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5)
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No 13a, Totally Invertible Counterpart In Contrary Motion On A Variant Of The Theme - 3-Part
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6)
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No 13b, Total Inversion Of 13a
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7)
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No 19a, Rearrangement Of 13a For Two Keyboards - 4-Part
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8)
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No 19b, Rearrangement Of 13b For Two Keyboards - 4-Part
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D:
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1)
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No 12a, Totally Invertible Counterpoint On A Variant Of The Theme - 4-Part
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2)
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No 12b, Total Inversion Of 12a
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3)
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No 18, On Three Invertible Subjects And (?) The Leading Theme, 4-Part, (Unfinished)
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